Push for PORTER

izquierdaThe Spoons Murderderecha

Con Fada Ó Drisceoil

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In the tavern one night we were sitting;
I'm sure 'twas the last week of March.
From our drinks we were cautiously sipping,
To ensure that our throats didn't parch.

We played music both lively and dacent
To bolster our spirits and hopes.
While we gazed at the females adjacent,
And remarked on their curves and their slopes.

Till this gent wandered into our session,
And decided to join in the tunes.
Without waiting to ask our permission,
He took out a large pair of soup spoons.

Our teeth in short time we were gritting.
As he shook and he rattled his toys;
And the company's eardrums were splitting,
With his ugly mechanical noise.

Hopping spoons off our heads to provoke us,
He continued the music to kill.
Whether hornpipes, slow airs or polkas
They all sounded like pneumatic drills.

Then he asked could we play any faster,
As his talent he wished to display.
With a grin on the face of the b******,
Like a cat as she teases her prey.

Our feelings by now were quite b*****,
And politely we asked him to quit.
We suggested a part of his body
Where those spoons could conveniently fit.

This monster we pestered and hounded.
We implored him with curses and tears.
But in vain; our appeals they resounded
In the desert between his two ears.

When I went out the back on a mission,
He arrived as I finished my leak.
He said, 'This is a mighty fine session,
I think I'll come here every week.'

When I heard this, with rage I was leppin'
And no more of this torture I'd take.
I looked round for a suitable weapon
To silence this d*** rattlesnake.

Outside towards the yard I did sally.
To find something to vanquish my foe;
I grabbed hold of a gentleman's Raleigh
With fifteen-speed gear and dynamo.

Then I battered this musical vandal;
As I shouted with furious cries,
'My dear man your last spoon you have handled,
Say your prayers and await your demise.'

With the bike I assailed my tormentor;
As I swung in a frenzy of hate,
Till his bones and his skull were in splinters;
And his health in a very poor state.

And when I was no longer able,
I forestalled any last minute hitch;
By removing the gear-changing cable,
And strangling the s*************.

At the end of my onslaught ferocious
I stood back and surveyed the scene.
The state of the place was atrocious,
Full of fragments of man and machine.

At the spoons player's remains I was staring;
His condition was surely no joke,
For his nose was clogged up with ball bearings,
And his left eye was pierced by a spoke.

At the sight I was feeling quite squeamish;
So I washed up and went back inside.
Then I drank a half-gallon of Beamish,
For my throat in the struggle had dried.

Unpolluted by cutlery's clatter,
The music was pleasant and sweet.
For the rest of the night nothing mattered,
But the tunes and the tapping of feet.

At the inquest, the following September,
The coroner said, 'I conclude
The deceased by himself was dismembered,
As no sign could be found of a feud.'

'For the evidence shows that the fact is;
As reported to me by the Guards,
He indulged in the foolhardy practice
Of trick cycling in public house yards.'

So if you're desperately keen on percussion,
And to join in the tunes you can't wait,
Be you Irishman, German or Russian
Take a lesson from his awful fate.

If your spoons are the best silver plated,
Or the humblest of cheap stainless steel,
When you play them abroad you'll be hated;
So just save them for eating your meal.



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